Friday, 17 June 2011
Finally I’m getting back in to an art mindset!
I was just walking to the Co-Op yesterday and there was this magnificent tree I had never really acknowledged before. It’s huge and really majestic against the sky. Something I really did not expect on the little oasis of rat homes between hundreds of almost identical houses. Shortly after we were driving to see my grandparents who live in town and they day prior had been horrible; it had been raining quite heavily. Yet the warm light just reminded me of Ash Wednesday by George Shaw. For me it has confirmed that art truly is everywhere, and got me really looking forward to getting my paint out again!
Monday, 13 June 2011
Landscape. Isn’t it all just nothing?
Although I’m moving away from focusing my work on Landscape, I still have a very emotive connection to it. But isn’t it all about nothing? The absence of anything?
I realised that my outcome was disappointing because it really was a picture of nothing. The space had depth but lacked any sort of atmosphere and the foreground objects seemed to create a boarder for an otherwise flat plane; too disjointed.
(Chichester Canal – JMW Turner)
Here is a great example, physically the focus point it in an area of comparative nothing, although there is the ship the main image is just open water. The surroundings have more in the name of ‘features’, but through clever techniques make them dissolve out of view at first. However despite the lack of a physical object to ground the competition, it appears that there’s something completely different hold it all together.
For some reason It seems to be a lack of constraints, the colours fade into the background creating an almost eternal spectrum. In short it makes me feel free and alive.
I could quite happily spend a warm evening outside staring at the stars, and I do. Because there’s something highly therapeutic about these gripping atmospheres. It is transporting you to that place, in essence its very escapist.
Space is a very powerful force. I remember a member of my art history class had designed a piece of modernist architecture, and there was a space on the second story that resembled a balcony. When my lecturer asked the student what the space was for the student said that evidently he would use it to place a BBQ and reclining chair to relax in the evenings. When my lecturer then followed up his question with why is that your instinct with this space the student could not really answer but could provide the practical reasons associated like, being outside. However our understanding of space seems to be something very emotive. When you walk into a high ceilinged building there is usually some sense of a presence. It is possibly why this format of space has been adopted by religious institutions, to command a feeling of heavy air or awe. The same thing for me happens in this painting the space makes me feel in a certain way that a more claustrophobic environment would not. I believe this abstracted emotive connection is partly why I have been drawn to landscape. But I’m not going to make any general claims for the entire reason, I think that’s a little bit more complex for a blog post, mid revision anyway ;)
I have been doing a lot of philosophical thinking lately I suppose. I have started many blog posts and they will be published after my exams (ending Wednesday wooo!) but I was revising and thought about how all my posts so far have been about art in its conventional forms; Painting, Photography, sculpture, film etc.
My last exam is on epic literature and I discovered that we need art. Although I have previously talked about why humanity decided to pick up two rocks and bang them together to make an interesting patter 40,000 years; I only described the effect of that action. It simply gave us the ability to think and challenge the world around us as we realized we can affect it.
I would consider epic literature as art, I would consider all literature as art; I would eve n consider games as art. All employ creative license and all have an intentional effect on an audience by one; or in some cases collective body of mindsets.
Today we would not function without art. Advertisement drives our increasingly globalized culture but it also drives us as individuals. How many people would say they could not cope without their gaming console? How many people look forward to going to the theatre? And how many people watch television?
The epic literature I have been reading has a diversity of aims, objectives and outcomes but one general theme is religion and the role of the mortals and the immortals. Humanity understood that they would one day die; but they aspired to immortality. However the immortality they aspired to is a abstracted immortality, such as being remembered by your descendants or your countrymen through statues, stories or rumor. Ancient Philosophy states that it is in fact in some instances preferable to be mortal than immortal. This is because with being immortal, those things that the mortals strive for become pointless. They lack the need for selflessness and rationality. As well as relationships and securing your legacy in your children; Cultural values so close to these people. They helped them secure their position in this world. Much how other religious imagery has impacted on cultures and people. But religion to many isn’t as important as it once was to ancestors.
Asserting cultural values still occurs today. The Film Milk illustrates this demonstrating the struggle many had to go through to be accepted as gay members of society. This type is designed to inspire us to think and challenge how we think. Or be a memorial for past views that now are alien and decadent. Fundamentally art can be entertaining and educative simultaneously. If these films weren't entertaining, would anyone watch them? Would anyone remember them? appearing; reminding us of a social position.
Despite this much art is there for entertainment or aesthetic. Many strive for a deeper statement to be resident but equally many do not. The power of art could be purely to allow us a release from the normal lives we need. Kick back and enjoy your evening. If you’re watching tv, a film, playing a game, reading a book, looking at a painting or through a magazine – Art is important to you.
Friday, 3 June 2011
My thought here is; is it actually impossible to be innovative in art? I want to point out this is just a quick post throwing out an idea that’s been floating through my head. Being Innovative isn’t necessarily an aim of art but the striving to create an memorable impression is – most of the time. Usually artists try to incorporate some sort of Avant-Guard element. But is this not conforming to a convention that’s been happening for centuries. I don’t think that this is a bad thing but it came to mind as I was thinking about my own art style. I have been thinking of how I can combine different mediums, I wanted to make it innovative but in my thought process I came to some ideas that had been lost in this want to create something new; it lacked the depth that my art at the moment has. My answer was to start experimenting as soon as exams are over; this, I’m looking forward to! But the convention of art is very interesting. I still stand by art itself can’t be confined to a specific convention but maybe the pattern of art movements can? Ah well this post wasn’t meant to be refined or concluded really. Sorry if it made no sense =)